| Coudersport Theatre: Symbol of Yesteryear |
In an era when small-town movie theatres have all but disappeared from the American
landscape, the Coudersport Theatre continues to provide entertainment to hundreds of
local residents and visitors each week.
The forerunner of the Coudersport Theatre was a brick livery stable built on the north
side of First Street, directly behind the old Citizen's Safe Deposit & Trust Company
building, in the wake of an 1880 fire that destroyed much of Coudersport's business
district. During a 33-year period, this combination roller rink, lecture room, and "opera
house" was known under many names: The Rink, The Arcade Theatre, The Casino,
Dreamland, and the Star Theatre.
Just after the turn of the century, the West Street Theatre opened at 7 North West
Street, complete with 755 seats in three levels.
A competing theatre opened at 35 South Main Street, Which was until recently Take Two
Video. There was also a primitive movie house on the second floor of 215 North Main
Street, where Acker & Larsen law offices are now located. Then came the Grand Theatre,
which opened in 1912 at the site of what is now the extended portion of Buchanan
Brothers Pharmacy, across First Street from the current Coudersport Theatre.
Construction of today's theatre was completed in December of 1922 at a cost of about
$25,000. By this time, major motion picture companies had begun to produce films with
sophisticated subjects, which gradually succeeded in dispelling the notion that movies
were a vulgar means of entertainment, a notion that prevailed simply because early
cinema had been associated with fairgrounds and burlesque halls. Movie producers were
now offering films that stressed the sanctity of home and family, that embraced
Christian values, and that were heavily patriotic.
The Coudersport Theatre opened its doors on Tuesday evening, January 16, 1923, with a
showing of "A Wise Fool." During the earliest years, Gertrude Jordan was the pianist.
The blind pianist, Spic Holland, frequently played at the theatre to accompany the silent
films. Minstrel shows and other live performers were often featured at this new
entertainment house.
E. C. Clawson of Jamestown, N.Y. purchased the theatre in April 1928 and proceeded to
bring in vaudeville acts and other popular performers. Clawson owned a calliope and
would play it automatically as he drove it around town, powered by a little gas engine.
As he drove, he handed out handbills to advertise the movies.
Clawson made many improvements to the theatre, from new carpeting to a redecorated
interior with a Spanish motif. He also replaced the seats and added the marquee, which
remains to this day.
Accompanying Clawson to Coudersport was "Popcorn Joe" Nasto, who sold popcorn,
candy and soft drinks. According to old timers, he often blew the smell of popcorn into
the theatre through a hole in the wall to tempt movie-goers to visit the snack bar. When
Clawson acquired the theatre, movies were silent films. He had a pipe organ installed,
upon which George Wall, also of Jamestown, played accompaniments from the sheet
music included with the films which were shipped to the Coudersport Theatre.
In June 1930, with great fanfare, Clawson announced that he acquired the necessary
sound equipment to accommodate "Talkies" and a new era had arrived.
In 1934, the Coudersport Theatre was sold to Charles Fickinger of Ford City for $85,000.
During the next 17 years, live performances were less frequent and "Talkies" were
featured on a regular basis. There were occasional appearances by pit orchestras,
including one which featured Joe Heimel and Roy Heimel, on clarinet and cornet,
respectively.
New Standards of excellence were being achieved in Hollywood with the production of
"Mutiny On The Bounty" and "Gone With The Wind." Consequently, movie-going became
a habitual activity. In Coudersport, it was not unusual for people to stand in long lines
to buy tickets. A popular marketing ploy of the Fickinger era was "Bank Night." Everyone
who attended had his name entered in a huge drum for smaller prizes and a big jackpot
prize. The names were never removed, so they accumulated from week to week, but the
jackpot was only awarded if the person whose name was drawn was present on that
particular night. If not, the jackpot would increase.
A competing theatre, the Sylvan Theatre, opened in 1940, at the site of today's Ace
Hardware. It was only a matter of weeks before Fickinger bought the rival Sylvan
Theatre. A year later, the Sylvan was closed forever.
In 1941, movie star Joan Crawford visited Coudersport on the same night her film "A
Woman's Face" was showing at the Coudersport Theatre. She bought a pair of shoes at
McNary's Shoe Store and spent a night at the hotel Crittenden.
The following year, a flood ravaged much of Coudersport. Waters from the Allegheny
ruined the organ and destroyed much of the theatre's orchestra pit.
On July 28, 1951, Fickinger sold the Coudersport Theatre to John Rigas, described by
The Potter Enterprise as "a 26-year-old Wellsville, N.Y., man, the son of a Wellsville
restaurant owner. This is his first business venture."
In 1952, Rigas installed new projection lenses, new sound equipment, a new movie
screen that was clearer and easier on the eyes, and new theatre seats. During the first
year Rigas owned the theatre, he commuted to Coudersport from his home in Wellsville.
He also held down an engineering job at Sylvania's corporate headquarters in Emporium.
On those nights when the roads were snow-covered or icy, the new owner slept on a
bunk at the theatre.
Through the next 25 years, the theatre went through significant changes. With the
advent of Cinemascope, a wider screen was installed in 1962 and yet another new screen
was installed in 2002. The theatre balcony was closed in 1975 and has since been
removed. A system of fully automated film projectors was installed in 1981, and a
stereo system was added in 1983. Improvements continue.
In 1981, a new foundation for the Coudersport theatre was laid and the relatively small,
dark, and damp basement was replaced with a wide and more functional area.
When Rigas bought the theatre, there were movie houses in Galeton, Shinglehouse,
Austin, Port Allegany, Smethport, and Emporium. These have all since closed. A drive-in
theatre that opened in Roulette in 1957 has also been closed for many years. (Another
theatre in Galeton has opened recently.)
Up to the mid- 1960's the Coudersport Theatre was open every weekday evening,
presenting double features and matinees every weekend. For many years after that, the
theatre featured motion pictures on Friday, Saturday, and Sunday nights only. Today, the
theatre features motion pictures Friday through Monday nights.
Much has changed since the Coudersport Theatre became the talk of the town more than
three-quarters of a century ago.
Something that hasn't changed is the theatre curtain, installed April 9, 1928. It depicts
the legendary Spanish knight Amadis de Gaula on the left, and Spanish dancers beneath
the mystic blossoms of a tree on the right. The two sides are a deliberate portrayal of
contrasting (perhaps conflicting) dramatic and philosophical ideals, both of which need to
be reconciled in every culture in every generation.
Despite pressures to close down this local institution, John Rigas has insisted on keeping
the Coudersport Theatre operating week after week as a service to the community and a
symbol of days gone by.
By Paul W. Heimel & Robert B.Merten
landscape, the Coudersport Theatre continues to provide entertainment to hundreds of
local residents and visitors each week.
The forerunner of the Coudersport Theatre was a brick livery stable built on the north
side of First Street, directly behind the old Citizen's Safe Deposit & Trust Company
building, in the wake of an 1880 fire that destroyed much of Coudersport's business
district. During a 33-year period, this combination roller rink, lecture room, and "opera
house" was known under many names: The Rink, The Arcade Theatre, The Casino,
Dreamland, and the Star Theatre.
Just after the turn of the century, the West Street Theatre opened at 7 North West
Street, complete with 755 seats in three levels.
A competing theatre opened at 35 South Main Street, Which was until recently Take Two
Video. There was also a primitive movie house on the second floor of 215 North Main
Street, where Acker & Larsen law offices are now located. Then came the Grand Theatre,
which opened in 1912 at the site of what is now the extended portion of Buchanan
Brothers Pharmacy, across First Street from the current Coudersport Theatre.
Construction of today's theatre was completed in December of 1922 at a cost of about
$25,000. By this time, major motion picture companies had begun to produce films with
sophisticated subjects, which gradually succeeded in dispelling the notion that movies
were a vulgar means of entertainment, a notion that prevailed simply because early
cinema had been associated with fairgrounds and burlesque halls. Movie producers were
now offering films that stressed the sanctity of home and family, that embraced
Christian values, and that were heavily patriotic.
The Coudersport Theatre opened its doors on Tuesday evening, January 16, 1923, with a
showing of "A Wise Fool." During the earliest years, Gertrude Jordan was the pianist.
The blind pianist, Spic Holland, frequently played at the theatre to accompany the silent
films. Minstrel shows and other live performers were often featured at this new
entertainment house.
E. C. Clawson of Jamestown, N.Y. purchased the theatre in April 1928 and proceeded to
bring in vaudeville acts and other popular performers. Clawson owned a calliope and
would play it automatically as he drove it around town, powered by a little gas engine.
As he drove, he handed out handbills to advertise the movies.
Clawson made many improvements to the theatre, from new carpeting to a redecorated
interior with a Spanish motif. He also replaced the seats and added the marquee, which
remains to this day.
Accompanying Clawson to Coudersport was "Popcorn Joe" Nasto, who sold popcorn,
candy and soft drinks. According to old timers, he often blew the smell of popcorn into
the theatre through a hole in the wall to tempt movie-goers to visit the snack bar. When
Clawson acquired the theatre, movies were silent films. He had a pipe organ installed,
upon which George Wall, also of Jamestown, played accompaniments from the sheet
music included with the films which were shipped to the Coudersport Theatre.
In June 1930, with great fanfare, Clawson announced that he acquired the necessary
sound equipment to accommodate "Talkies" and a new era had arrived.
In 1934, the Coudersport Theatre was sold to Charles Fickinger of Ford City for $85,000.
During the next 17 years, live performances were less frequent and "Talkies" were
featured on a regular basis. There were occasional appearances by pit orchestras,
including one which featured Joe Heimel and Roy Heimel, on clarinet and cornet,
respectively.
New Standards of excellence were being achieved in Hollywood with the production of
"Mutiny On The Bounty" and "Gone With The Wind." Consequently, movie-going became
a habitual activity. In Coudersport, it was not unusual for people to stand in long lines
to buy tickets. A popular marketing ploy of the Fickinger era was "Bank Night." Everyone
who attended had his name entered in a huge drum for smaller prizes and a big jackpot
prize. The names were never removed, so they accumulated from week to week, but the
jackpot was only awarded if the person whose name was drawn was present on that
particular night. If not, the jackpot would increase.
A competing theatre, the Sylvan Theatre, opened in 1940, at the site of today's Ace
Hardware. It was only a matter of weeks before Fickinger bought the rival Sylvan
Theatre. A year later, the Sylvan was closed forever.
In 1941, movie star Joan Crawford visited Coudersport on the same night her film "A
Woman's Face" was showing at the Coudersport Theatre. She bought a pair of shoes at
McNary's Shoe Store and spent a night at the hotel Crittenden.
The following year, a flood ravaged much of Coudersport. Waters from the Allegheny
ruined the organ and destroyed much of the theatre's orchestra pit.
On July 28, 1951, Fickinger sold the Coudersport Theatre to John Rigas, described by
The Potter Enterprise as "a 26-year-old Wellsville, N.Y., man, the son of a Wellsville
restaurant owner. This is his first business venture."
In 1952, Rigas installed new projection lenses, new sound equipment, a new movie
screen that was clearer and easier on the eyes, and new theatre seats. During the first
year Rigas owned the theatre, he commuted to Coudersport from his home in Wellsville.
He also held down an engineering job at Sylvania's corporate headquarters in Emporium.
On those nights when the roads were snow-covered or icy, the new owner slept on a
bunk at the theatre.
Through the next 25 years, the theatre went through significant changes. With the
advent of Cinemascope, a wider screen was installed in 1962 and yet another new screen
was installed in 2002. The theatre balcony was closed in 1975 and has since been
removed. A system of fully automated film projectors was installed in 1981, and a
stereo system was added in 1983. Improvements continue.
In 1981, a new foundation for the Coudersport theatre was laid and the relatively small,
dark, and damp basement was replaced with a wide and more functional area.
When Rigas bought the theatre, there were movie houses in Galeton, Shinglehouse,
Austin, Port Allegany, Smethport, and Emporium. These have all since closed. A drive-in
theatre that opened in Roulette in 1957 has also been closed for many years. (Another
theatre in Galeton has opened recently.)
Up to the mid- 1960's the Coudersport Theatre was open every weekday evening,
presenting double features and matinees every weekend. For many years after that, the
theatre featured motion pictures on Friday, Saturday, and Sunday nights only. Today, the
theatre features motion pictures Friday through Monday nights.
Much has changed since the Coudersport Theatre became the talk of the town more than
three-quarters of a century ago.
Something that hasn't changed is the theatre curtain, installed April 9, 1928. It depicts
the legendary Spanish knight Amadis de Gaula on the left, and Spanish dancers beneath
the mystic blossoms of a tree on the right. The two sides are a deliberate portrayal of
contrasting (perhaps conflicting) dramatic and philosophical ideals, both of which need to
be reconciled in every culture in every generation.
Despite pressures to close down this local institution, John Rigas has insisted on keeping
the Coudersport Theatre operating week after week as a service to the community and a
symbol of days gone by.
By Paul W. Heimel & Robert B.Merten
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